Simon Simons
photography, Vienna

practice
photographic editions
independent series

process
pigment on paper
numbered by hand

atelier
Vienna, Austria
mmxx—mmxxvi

light,made permanent.

10 Where Two Rivers MeetSS-TH-010

an expanding archive · 19 works, 10 in the featured seriesview: scroll · grid: key g

selected works

Three recent plates.
Each work remains part of a wider journey.

Close view of a radial iron rosette and curving rails with pale Vienna architecture blurred behind them.

Iron Sun

A radial iron rosette holds its shape against a Vienna street softened by distance.

€ 420SS-BA-009Between Arrivals · 2026

Late sunlight breaking between ornate facades at Vienna’s Michaelerplatz, with the Hofburg dome and people below.

Sun at Michaelerplatz

Late sun enters the narrow space between the Hofburg and the opposite façade at Michaelerplatz.

€ 420SS-BA-008Between Arrivals · 2023

Illuminated ribs and the cable-stayed Assut de l’Or bridge reflected in dark water at Valencia’s City of Arts and Sciences.

White Lines After Midnight

The City of Arts and Sciences is drawn in white light across dark water after midnight.

€ 420SS-BA-007Between Arrivals · 2026

the chapters

Two independent journeys.
One continuously edited archive.

Devín Castle ruins above the confluence of the Morava and Danube, with fields and forest under a broad clouded sky.

Series 01 · 10 plates

At the Meeting of Two Rivers

Made inside and above the ruins of Devín Castle, where the Morava meets the Danube. Ten photographs move from iron, grass and worked stone to the wider scale of village, river and sky.

Devín Castle · Bratislava, Slovakia
2026 · representative plate 10

Series 02 · 09 plates

Made while travelling between 2020 and 2026. Nine photographs follow bridges, thresholds, worn interiors, shared tables and architecture across Venice, Crete, Valencia and Vienna—the visible traces of arrival, pause and departure.

Venice · Crete · Valencia · Vienna · Southern and Central Europe, Italy · Greece · Spain · Austria
2020—2026 · representative plate 17

we print slowly. light becomes a numbered object on paper that remembers more than the screen.

Each edition is accompanied by a certificate and material record. The image is left unframed so the final relation to the room remains yours.

material & delivery

paper: Photo Rag Smooth Baryta
format: DIN A2 · unframed
edition: 10 + certificate

the print as object

From screen to signed edition.
One identity, carried through.

Material record

the screen is a proposal. the print is the decision.

Scale, surface, edge and density are fixed only when the image becomes paper. Every work is supplied unframed, signed and paired with its own record.

Read about the edition

certificate of authenticity

Where Two Rivers Meet

edition: 03 / 10
process: archival pigment print
paper: Hahnemühle Photo Rag Smooth Baryta
format: DIN A2 · unframed
archive: SS-TH-010

signed by the artist

Specimen · the assigned edition number is recorded after confirmed payment.